Texas Folklife Convening 2026
The inaugural Texas Folklife Convening brings culture bearers, folk artists, and traditional arts practitioners together for two days of connection, celebration, and bold conversation about the future of our living traditions.
Together, we’ll dig into the big questions. How do we keep Texas’s folk and traditional arts thriving? What challenges are artists facing right now? And how can we join forces to preserve, present, and pass on these practices across every community we call home?

Discover upcoming events, join our newsletter, and support Texas Folklife at texasfolklife.org or by scanning the QR code.
Saturday Panel Schedule
Mexican Folk Arts, 9:30 AM
Veronica Castillo Salas, clay sculpture, San Antonio
Rocio Ramirez Landoll, cartonería, Waco
Moderated by Jeannelle Ramirez, PhD
Flamenco, 11:00 AM
Chayito Champion, cante, San Antonio
Genevieve Obregon, baile, San Antonio
Andrea Gonzalez, baile, Houston
Randy Cordero, guitar, San Antonio
Moderated by Maria Luisa Ornelas June, researcher, Houston
Storytelling, 1:30 PM
Virginia Grise, Houston
Alba Sereno, Houston
Interactive storytelling workshop, limited to 25 participants, RSVP required
Music and Dance in Diaspora, 3:00 PM
Sonny Mehta, Qawwali, Houston
Sreedhara Akkikhebalu, Bharatanatyam, Austin
Imani Aanu, West African and African Brazilian, Austin
Karolina Arocho, Puerto Rican bomba, Austin
Adam Rosario, Puerto Rican bomba and plena, Austin
Moderated by Jeannelle Ramirez, PhD
This project is supported in part by a Thrive Grant of Austin Arts, Culture, Music and Entertainment.
Presenter Bios
Meet the artists, tradition bearers, and culture keepers joining us for the inaugural Texas Folklife Convening.

Storyteller Alba Donajhi Sereno grew up in Mexico and the United States. With more than six generations of family stretched through northern Mexico, Texas, Louisiana, and Arkansas, Sereno has kept the knowledge and stories of her family alive. Additionally, for over twenty years, Sereno has been a professional community organizer and worker; in this role, Sereno has often helped others tell their stories to drive systemic change. Within the last few years, Sereno has reflected on the importance of storytelling and says, “the art of storytelling has been perhaps the greatest tool in making change happen.”
PODCAST
Through the stories of community members from Houston’s East End, this episode explores how culture bearers have sustained relationships with the land through transnational plant-ways, affirming their identities in the face of colonization, migration, and neighborhood changes over time. Throughout, Alba Donajhi bears witness and synthesizes her own plant life in her accidental homeland. https://www.buzzsprout.com/2040172/episodes/19387029
Born: Juventino Rosas Guanajuato Mx.
I studied Visual Arts in México City. For 38 years I have been dedicated to creating my own artwork, and at the same time designing costumes for documentaries and motion pictures in México, USA, and Canada. I have exhibited my artwork in solo exhibitions and collectively in México, Germany, Costa Rica, Spain, Chile Argentina and USA.
My passion and interest in natural dyes derived from plants, cochineal (insects), and fungi to dye natural fibers and the use of pigment in the artwork, has led me to investigate independently, attend international Symposiums in India, workshops and lectures in Canada, Spain and México.
I also enjoy practicing the traditional Mexican Cartonería, with the intention of preserving this technique.
Renowned flamenco singer Chayito Champion began singing at an early age, carrying on her family’s flamenco legacy. She was given the nickname ‘Gitana Americana’ by the late Antonio Montoya, El Farruco. Her recent engagements include: Repertorio Español, Thalia Theatre, Carnegie Hall, and Lincoln Center in New York City. She is the singer for Jácome Flamenco and Carlota Santana Flamenco Vivo. She has toured the world with such artists as the late José Greco, Antonio Vargas, Teo Morca, Antonio Vargas and Pilar Rioja.
Veronica Castillo Hernandez was born in Izúcar de Matamoros, Puebla, Mexico to a family of traditional Mexican folk artisans. With the guidance of her parents, Don Alforno Castillo Orta and Doña Soledad Martha Hernandez Baez, Castillo Hernandez learned the craft of traditional Mexican folk art. Now living in San Antonio, Castillo Hernandez has grown her expertise and has been the recipient of numerous awards, including the NEA National Heritage Fellow award. Castillo Hernandez says of her traditional Mexican folk art practice: “From a young age, traditional Mexican folk art has been in my blood. I have learned how to create beautiful pieces of artwork that represent my community’s culture, history, and traditions.”
Virginia Grise is a storyteller from San Antonio, with Chinese-Mexican heritage. She recalls spending much of her childhood in Monterrey at her grandmother’s house, where she would learn the art of storytelling at the kitchen table. Grise says of her storytelling practice: “I believe in the power of telling our stories, that memory is in fact a political act and that valuing our stories teaches us that we are necessary in this world—that what we say, dream, believe matters.”
Adam Rosario is a music therapist (MT-BC), percussionist, and retired US Army infantryman based in Austin, Texas. A lifelong student of Puerto Rican folkloric music, he has shared these traditions with Central Texas communities through performance and education for nearly two decades.
PODCAST
Born in the working-class neighborhoods of Ponce, Puerto Rico, over a century ago, plena is a genre of music that continues to travel wherever Puerto Ricans gather and build community. Communal in nature, it is played at social gatherings of all sorts – celebrations, funerals, protests, and open jam sessions called “plenazos.” In this episode, we will identify the characteristics of plena as defined by practitioners in the Houston, DFW, San Antonio, and Austin areas, and explore how it has been connecting Puerto Rican communities across Texas.



![[Laura Yohualtlahuiz] wears an elaborate Mexica danza headdress with long feathers radiating outward in orange, red, and pink alongside brown-and-white patterned feathers. A beaded headband with colorful floral and geometric designs frames her face, which is marked with red linear face paint. She wears a gold septum ring and shell earrings, with a tattoo visible on one arm and a green and yellow patterned top. Warm lights glow in the background.](https://texasfolklife.org/wp-content/uploads/2026/08/Laura_Atlachinolli-614x346.jpg)
