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Reconnecting Through Curanderismo: Exploring Healing Traditions in South Texas

Home / Education & Exploration / Reconnecting Through Curanderismo: Exploring Healing Traditions in South Texas
A brightly colored painting of a curandera performing a healing in a bedroom. A woman in a red floral dress leans over a person lying in bed with a cloth on their forehead, sweeping a green palm frond across the turquoise bedspread. A boy in a horse-print shirt watches from the foot of the bed, resting his chin on his hands beside a red apple. Incense smoke rises from a blue can on the floor. The room holds an image of the Virgen de Guadalupe, a lit candle, family portraits on the wall, a sewing machine, and a window looking out onto green leaves.

Reconnecting Through Curanderismo: Exploring Healing Traditions in South Texas

Posted By: Mariela Freire
Date: July 23, 2026
Categories: Education & Exploration, Fellowship Blog, Programs
Comments: 0

Reconnecting Through Curanderismo: Exploring Healing Traditions in South Texas

by Oddett Garza, Texas Folklife Community Folklife Fellow

Growing up in South Texas, there were many things that simply weren’t explained. Certain beliefs, traditions, and practices existed quietly in the background of everyday life. They were passed down through whispers, warnings, and observation more than conversation.

One of those traditions was the belief in ojo, the evil eye.

As children, we joked about it, but the adults in our family took it seriously. We were warned that if someone gave us ojo, we could become sick. The remedy was often a limpia, a cleansing performed with an egg and prayer.¹

At the same time, these practices carried a certain mystery. Growing up, I often heard older generations refer to them as brujería, or witchcraft, a word that created fear around the topic. Yet despite that stigma, these healing traditions remained deeply woven into the lives of many  families across South Texas.

This project began as an attempt to better understand those traditions and, more specifically, the quiet women in my family like my Wela (Abuela), who prayed over candles and practiced limpias within our family.

Sepia-toned vintage portrait of a young woman with her hair in a braided crown, seated in front of a painted garden trellis backdrop. A crease runs down the center of the photograph.
Framed sepia portrait of a young woman with white flowers pinned in her wavy dark hair, wearing an embroidered dark blouse. The glass reflects light across the image.

To begin, I returned to my hometown of Kingsville and started interviewing family members, including my father and my Tía Janie. Through those conversations, I realized many of the practices I once viewed as mysterious were rooted in care, protection, spirituality, and survival.

During my research, I also learned a new word: Curanderismo.

Curanderismo refers to traditional healing practices that combine spirituality, herbal remedies, prayer, ritual, and community knowledge. These traditions have roots in Indigenous, Mexican, and folk healing systems and continue to be practiced in different forms throughout Texas and the Southwest today.

When I explained the term curanderismo to my own family as natural healing rooted in culture and tradition, the conversation shifted. What once felt secretive or misunderstood suddenly felt more approachable.


¹ Limpias are traditional spiritual and energetic cleansing practices. Because they are deeply personal, methods and rituals vary widely depending on the practitioner and regional traditions. This content is for educational and informational purposes only

Healing as Self-Care and Survival

One aspect of curanderismo that stayed with me throughout this project was the idea that many of these practices may have also functioned as forms of emotional regulation and self-care for women who had limited outlets for stress, grief, or anxiety.

My grandmother lit candles constantly. She burned incense. She prayed. She practiced limpias.

As I reflected on those memories, I realized that while my generation may use different languages – such as therapy, mindfulness, meditation, yoga, nervous system regulation – we are often searching for many of the same things: peace, comfort, grounding, and healing.

That realization changed the way I viewed these traditions and my Wela.

For much of my life, she felt mysterious and emotionally distant to me. But through this project, I began to see her less as a strict matriarch and more as a woman trying to navigate hardship with the tools available to her.

That understanding became one of the most meaningful parts of this experience.

Learning From Community Voices

In addition to interviewing family members, I connected with practitioners from different generations who continue to engage with these traditions today.

Through Las Comadres, a women’s community group, I met Mary Jane Garza, who shared stories and insights about curanderismo and the role it has played in community healing.

I also spoke with younger Curanderismo practitioners and business owners, including Elena Gonzales and Alexis Arredondo of City Alchemist, to better understand how these traditions are evolving for younger generations.

What stood out most in these conversations was the emphasis on intention, spirituality, emotional healing, and connection to ancestry and community. While practices may look different today, many people are still seeking ways to create meaning, grounding, and healing in their lives.

Mary Jane Garza speaks during a filmed interview on a shaded outdoor patio. A microphone boom, camera, and softbox light surround her, and a devotional painting of a robed figure holding a child rests on the table beside her.
Mary Jane Garza speaks during a filmed interview on a shaded outdoor patio.
Alexis Arredondo of City Alchemist sits for an interview inside the shop, surrounded by shelves of ritual candles, herbs, and books. A camera operator films from the foreground, and a chalkboard sign reading "City Alchemist" is visible behind him.
Alexis Arredondo of City Alchemist
Elena Gonzales laughs during a filmed interview inside a brightly lit shop. A camera on a tripod frames her in the foreground while a crew member adjusts a light panel nearby.
Elena Gonzales of City Alchemist

Personal Reflection

This project unexpectedly became about more than curanderismo.

It became about memory, lineage, and understanding the women in my family with more compassion.

Throughout the process, I often found myself wondering whether my Wela was searching for some of the same things many of us seek today: peace, clarity, protection, healing, and a sense of control in an unpredictable world.

In many ways, this project helped me reconnect with her.

The candles, prayers, incense, and rituals that once felt mysterious or even frightening no longer feel that way to me. They feel deeply human.

And now, when I light a candle after a difficult day or set an intention for myself or someone I love, I think of her.

Looking Ahead

This project is part of an ongoing exploration of storytelling, cultural memory, and Mexican American traditions in South Texas. I hope to continue documenting stories that preserve the voices, practices, and lived experiences of women whose histories are often overlooked or misunderstood.

Through this work, I hope listeners walk away not only with a better understanding of curanderismo, but also with curiosity and compassion for the traditions that shape families and communities across South Texas.

Additional Readings and Resources

How Curandero Don Pedro Jaramillo Became a South Texas Legend

On the Texas-Mexico Border, Folk Healers Modernize Their Ancient Practice – The New York Times

Understanding Curanderismo: The Folk Healing Tradition of Texas Hispanics

La Planta es la Vida: Plants and Curanderismo on San Antonio’s Westside

About Oddett Garza

Oddett Garza stands in a doorway with her arms crossed, smiling and looking off to the side. She wears an orange and white patterned dress with short sleeves, and her dark hair is pulled back. Behind her is a white-painted wooden door with glass panes, set into a light brick wall with a green painted step.
Oddett Garza

Oddett Garza is originally from Kingsville, TX, and is now based in Austin. She is an educator and filmmaker focused on intergenerational storytelling, community memory, and cultural preservation, with a focus on Tejana artists, educators, and activists whose contributions have been largely absent from mainstream historical narratives.

oddettgarza.com

Summary of Project

Las Limpias is a podcast that visits memory and traditions from South Texas. Through conversations with family and cultural practitioners, it examines the practice of limpias, spiritual cleansings rooted in Mexican American traditions, and the cultural knowledge passed down through generations.

Part folklore, part oral history, and part cultural exploration, Las Limpias invites listeners to reflect on the ways people seek healing, protection, and connection in their everyday lives. From family stories and community rituals to questions of faith, identity, and belonging, the podcast documents living traditions that continue to influence contemporary culture while preserving voices and perspectives often absent from mainstream historical narratives.

Production Credits

Host, Producer, Editor, Story by: Oddett Garza

Assistant Editor: Amanda Goebel

Tags: Community Folklife Fellowship curanderismo Las Limpias podcast limpias mal de ojo Mexican American healing traditions Oddett Garza South Texas folklore Tejana oral history Texas Folklife
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